︎

Agriculture &
Architecture:
Taking the
Country’s Side




Prologue


Introduction


Timeline


A. Agriculture & Architecture
  1. Homo Domesticus
  2. Sublimation
  3. Coincidence
  4. Villa Suburbana
  5. Agritecture
  6. Self-Sufficiency
  7. Integration?

B. Agriculture & Urbanism
  1. The Urban Revolution
  2. Mundus
  3. Imago Mundi
  4. Land Use Model
  5. Nature to Market
  6. Urbanism
  7. Agrarian Urbanism?

C. From Agronomy to Agroecology
  1. A Hobby for Urban Elites
  2. Plantations and Enclosures
  3. From alchemy to Chemistry
  4. From War to Field Operations
  5. “Get Big or Get Out” 
  6. Permanent and Organic Agriculture
  7. Beyond Industrial Agriculture

D. Exit Urbs
  1. Zomia
  2. Monasteries
  3. Anarchy and Localism
  4. Ruralism
  5. “Think Little”
  6. “Workers of the World, Disperse”
  7. Becoming Native

E. Facing the Present Environmental Predicament
  1. “A Blueprint for Survival”
  2. Energy Descent
  3. 1972: “The Limits to Growth”
  4. “Beyond Industrial Technology”
  5. “Small is Beautiful”
  6. 1978: “Permaculture One”
  7. 2008: “Future Scenarios”

F. Reframing the Practice & Theory of Design
  1. Major Precedents
  2. Ethic and Design Principles
  3. A Radical Site-Specificity
  4. A Reformulation of Site Planning
  5. Deepening Territories
  6. Reconsidering Urbanism
  7. Sub-Urbanism?

Constellation


Compass


What is a world?



Current exhibition
Lectures


Interview


Gallery


Statements and Reviews


Book 


Info / Credits
Mark

Info            FR
Neon Sign

«Agriculture & Architecture: Taking the Country's Side» developed by Sébastien Marot is looking into an environmental movement, which for more than four decades has consistently explored the hypothesis of a future of energy descent and its consequences for the redesign and maintenance of territories.

Commissioned by the Lisbon Architecture Triennale for its 5th edition in 2019 and in co-production with CCB-Garagem Sul, in Lisbon, this exhibition has been adapted by Archizoom EPFL for its premises and this website.